Seven Stones: Genesis & Co., duets & big band

Seven degrees of unity between Genesis & Co.

By Filippo Collini

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Maybe not everyone knows that in the demo of “Here Come the Flood”, at the keyboards there is Anthony Phillips. As in the abum of Mike Rutherford “Smallcreep’s Day”.

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Video Memories: Genesis, “Mama” released 22/8/1983 – VIDEOS

Video Memories, Genesis & Co. History through videos.

By D.B.

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Mama” was the first single from Genesis‘ released on 22 Aug. 1983 self-titled album. VIDEOS.

Single by Genesis
from the album Genesis
B-side “It’s Gonna Get Better”
Released 22 August 1983
Format 7″ vinyl, 12″ vinyl
Recorded The Farm, Surrey; 1983
Genre Progressive rock
Length 6:49 (album version)
6:07 (single version)
5:18 (video edit / radio edit)
7:27 (long version)
Label Atlantic, Virgin, Vertigo
Songwriter(s) Tony Banks, Phil Collins, Mike Rutherford
Producer(s) Genesis, Hugh Padgham
Genesis singles chronology
“Paperlate”
(1982) “Mama”
(1983) “That’s All”
(1983)

Chart performance:
Australia (Kent Music Report) 45
Austria (Austrian Singles Chart) 10
Germany (Offizielle Deutsche Charts) 4
Netherlands (Dutch Top 40)7
Finland (Suomen virallinen lista) 6
Ireland (IRMA) 5
New Zealand (RIANZ) 27
Norway (VG-lista) 3
Swiss Singles Chart 2
United Kingdom (The Official Charts Company) 4
US Billboard Hot 10073
US Billboard Top Rock Tracks 5

Froma Wikipedia

https://www.youtube.com/watch?v=0jG5AbiukLo

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Harlequin Weekly: Genesis Supper’s Ready Live Cover by Camila Pocovi

Tutte le forme dell’amore nei confronti di Genesis & Co.: quadri, disegni, fotomontaggi, immagini, musica, omaggi di ogni tipo*.

By Filippo Collini

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Guarda tutti i colori della passione di Harlequin – CLICCA QUI

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*Materiale pubblicato per diritto di cronaca e con la firma dell’autore. In caso di diversa volontà dell’autore stesso si prega di segnalarlo alla mail di Horizons Radio. Grazie.

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Seven Stones: Genesis & Co., experiments, nobles and vocal beginnings

Seven degrees of unity between Genesis & Co.

By Filippo Collini

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Milgram experiment on obedience to authority figures is cited by both Peter Gabriel and Genesis:

Track composed by Mike Rutherford, like the next, from his first solo album, Smallcreep’s day:

Here in the version of italian band Elio e le Storie Tese, like the next:

From the duke to the earl:

https://www.youtube.com/watch?v=1NVka9secH0

Wind and Wuthering is the latest Steve Hackett album with Genesis. His first album after leaving the group was Please Don’t Touch:

Carry On Up The Vicarage is Steve Hackett’s debut on vocals. Here is that of Phil Collins:

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Harlequin Weekly: “Sloppy attempt at Carpet Crawlers”

Tutte le forme dell’amore nei confronti di Genesis & Co.: quadri, disegni, fotomontaggi, immagini, musica, omaggi di ogni tipo*.

By Filippo Collini

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Guarda tutti i colori della passione di Harlequin – CLICCA QUI

Puoi anche tu segnalare il tuo Harlequin alla mail di Horizons Radio.

*Materiale pubblicato per diritto di cronaca e con la firma dell’autore. In caso di diversa volontà dell’autore stesso si prega di segnalarlo alla mail di Horizons Radio. Grazie.

Horizons Radio News

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Seven Stones: Genesis & Co., it’s a family affair

Seven degrees of unity between Genesis & Co.

By Filippo Collini

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Written by Anthony Phillips, reputedly about Peter Gabriel’s then girlfriend (and soon to be wife) Jill.

In concert with their relatives:

https://youtu.be/LsY6k6Ev9uw

https://youtu.be/VGJo0fmvpjg

Mike Rutherford wrote his memoirs, with important moments of confrontation with his father:

https://youtu.be/oaJ4cCMkkQA

Tony Banks: “Margaret and I married when we were making Foxtrot [1972]. We had a one-day honeymoon because I had to finish the album. The band felt sorry for me so they paid for her to come on the next tour. In fact we often had wives and girlfriends on tour.” – from: Q&A: TONY BANKS, WRITTEN BY  

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Ipse Dixit – Richard Macphail: “My days with Genesis” – VIDEOS

Ipse Dixit, Genesis & Co. about Genesis & Co.

By D.B.

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Richard Macphail, guest in Italy of Savignone’s prog days, talked about his book and told his days with Genesis. VIDEOS.

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Harlequin Weekly: “Tony Banks appeared from my pencil”

Tutte le forme dell’amore nei confronti di Genesis & Co.: quadri, disegni, fotomontaggi, immagini, musica, omaggi di ogni tipo*.

By Filippo Collini

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By fat bottomed ronnie @ronniemaysch

a wild @tonybanksmusic

appeared from my pencil”

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Guarda tutti i colori della passione di Harlequin – CLICCA QUI

Puoi anche tu segnalare il tuo Harlequin alla mail di Horizons Radio.

*Materiale pubblicato per diritto di cronaca e con la firma dell’autore. In caso di diversa volontà dell’autore stesso si prega di segnalarlo alla mail di Horizons Radio. Grazie.

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Harlequin Weekly: The Ultimate Genesis Medley

Tutte le forme dell’amore nei confronti di Genesis & Co.: quadri, disegni, fotomontaggi, immagini, musica, omaggi di ogni tipo*.

By Filippo Collini

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Guarda tutti i colori della passione di Harlequin – CLICCA QUI

Puoi anche tu segnalare il tuo Harlequin alla mail di Horizons Radio.

*Materiale pubblicato per diritto di cronaca e con la firma dell’autore. In caso di diversa volontà dell’autore stesso si prega di segnalarlo alla mail di Horizons Radio. Grazie.

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“Banks Vaults – The Albums 1979 – 1995”: ‘In Conversation With Tony Banks’ – WATCH ALL VIDEOS

Tony racconta i segreti del making of dei suoi album da solista nella video-serie ‘In Conversation With Tony Banks’. 

A box set by Tony Banks entitled “Banks Vaults – The Albums 1979 – 1995”. BUY HERE on AMAZON.

‘In Conversation With Tony Banks’ are the video series which sees Tony and producer/engineer Nick Davis telling the story of the making of Tony’s solo albums, as well as explaining the use of various techniques, sound effects and the equipment and instruments used via multi-track demonstrations at the studio at Fisher Lane Farm:

Tony and Nick Davis demonstrate the use of the Polymoog effect which was used on ‘From The Undertow’ from the A Curious Feeling album:

Tony talk about the pros of being able to revisit ‘A Curious Feeling’ and re-mix and enhance parts to achieve more of the sound he originally was looking for:

Tony and Nick demonstrate how the advent of a new keyboard at the time – the ARP Quadra – in conjunction with the Vocoder, allowed Tony to experiment with sound and vocal effects on the song ‘This Is Love’ from The Fugitive:

Tony explains his concerns over possible ‘identity issues’ on his solo work, and his subsequent decision to take on the duty of lead vocals on ‘The Fugitive’:

Tony talks about his experience joining forces with Toyah, Jim Diamond and Fish on the ‘Soundtracks’ album:

https://www.facebook.com/tonybanksofficial/videos/474164146752449/

Tony & Nick talk about using drum machines and CASIO harmonizers and demonstrating their use on the instrumental track ‘Charm’:

https://www.facebook.com/tonybanksofficial/videos/1654938111305103/

Tony Banks and Producer/Engineer Nick Davis dissect the multi-tracks for ‘Redwing’ in order to demonstrate the use of the Emulator in conjunction with a wine glass to produce a wind-instrument like sound sample on ‘Redwing’ – plus how the Synclavier produced the particular synth sound on this track:

Onto ‘Bankstatement’ now, and Tony explains how he made use of samples on the track ‘Big Man’, and how an Emulator sample can be used to replicate the sound of a picking guitar in the absence of a guitarist:

Tony explains how he came to work with Nick Davis, how Nick often stopped him from going ‘a chord too far’, and how they engineered an artificial brass band sound on ‘The Final Curtain’ from the Still album:

Tony recounts how he approached Nik Kershaw for vocal duties on ‘Still’ as well as Nik’s then drummer on ‘The Works’ album Vinnie Colaiuta, plus getting Fish involved once again amongst other vocalists:

https://www.facebook.com/tonybanksofficial/videos/503597070391264/

Tony tells us all about teaming up with Wang Chung The Band vocalist Jack Hues for this project:

https://www.facebook.com/tonybanksofficial/videos/384443798941851/

Tony and Nick demonstrate how Tony used the ‘dotted quaver rhythm’ effect on the single ‘Only Seventeen’ from the Strictly. Inc album to create a ‘scampering’ sound:

https://www.facebook.com/tonybanksofficial/videos/1645696665563308/

The use of the piano was a very important part of the template of ‘An Island In The Darkness’, forming the backbone of the orchestration of the piece. Here, Tony & Nick demonstrate how this provided the undercurrent to the 17-minute-long piece:

https://www.facebook.com/tonybanksofficial/videos/500162540789265/

Tony reflects on the difference in commercial success between putting a song he writes on a Genesis record, or putting it on a solo record:

https://www.facebook.com/tonybanksofficial/videos/387008241953905/

Tony recounts a time working on the Quicksilver soundtrack when one US film director didn’t particularly ‘get’ the sound he was going for, and discusses how ‘The Wicked Lady’ album came about:

https://www.facebook.com/tonybanksofficial/videos/2350224231882747/

Tony’s take on the various factors and ingredients which can bring about success:

https://www.facebook.com/tonybanksofficial/videos/418192832373112/

Tony Banks, as he reflects on all his work – including that of Genesis – and has no regrets:

https://www.facebook.com/EsotericRecordings/videos/1725903964210671/

Producer & Engineer Nick Davis explains how he approaches re-mixing a piece of music which people are already familiar with in today’s clip from The Farm:

The box contains seven CDs and a DVD; the seven CDs are the rock albums made by Tony in his career:

– A Curious Feeling

– The Wicked Lady

– The Fugitive

– Soundtracks

– Bankstatement

– Still

– Strictly Inc

 

HR Press Review –  Tony Banks opens the Banks Vaults:

The dvd contains all the Tony’s videoclips, officially published here for the first time:

– For A While

– The Waters Of Lethe

– This Is Love

– Shortcut To Somewhere

– Throwback

– I Wanna Change The Score

– The Gift

– Only Seventeen

The records have been remastered in the legendary Abbey Road studios by Miles Showell and Nick Davis.

BUY HERE on AMAZON.


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