Maybe not everyone knows that in the demo of “Here Come the Flood”, at the keyboards there is Anthony Phillips. As in the abum of Mike Rutherford “Smallcreep’s Day”.
Suggest your Seven Stones, your seven degrees of unity between Genesis & Co. to the mail info@horizonsradio.it.
“Mama” was the first single from Genesis‘ released on 22 Aug. 1983 self-titled album. VIDEOS.
Single by Genesis
from the album Genesis
B-side “It’s Gonna Get Better”
Released 22 August 1983
Format 7″ vinyl, 12″ vinyl
Recorded The Farm, Surrey; 1983
Genre Progressive rock
Length 6:49 (album version)
6:07 (single version)
5:18 (video edit / radio edit)
7:27 (long version)
Label Atlantic, Virgin, Vertigo
Songwriter(s) Tony Banks, Phil Collins, Mike Rutherford
Producer(s) Genesis, Hugh Padgham
Genesis singles chronology
“Paperlate”
(1982) “Mama”
(1983) “That’s All”
(1983)
Chart performance:
Australia (Kent Music Report) 45
Austria (Austrian Singles Chart) 10
Germany (Offizielle Deutsche Charts) 4
Netherlands (Dutch Top 40)7
Finland (Suomen virallinen lista) 6
Ireland (IRMA) 5
New Zealand (RIANZ) 27
Norway (VG-lista) 3
Swiss Singles Chart 2
United Kingdom (The Official Charts Company) 4
US Billboard Hot 10073
US Billboard Top Rock Tracks 5
*Materiale pubblicato per diritto di cronaca e con la firma dell’autore. In caso di diversa volontà dell’autore stesso si prega di segnalarlo alla mail di Horizons Radio. Grazie.
*Materiale pubblicato per diritto di cronaca e con la firma dell’autore. In caso di diversa volontà dell’autore stesso si prega di segnalarlo alla mail di Horizons Radio. Grazie.
Written by Anthony Phillips, reputedly about Peter Gabriel’s then girlfriend (and soon to be wife) Jill.
In concert with their relatives:
https://youtu.be/LsY6k6Ev9uw
https://youtu.be/VGJo0fmvpjg
Mike Rutherford wrote his memoirs, with important moments of confrontation with his father:
https://youtu.be/oaJ4cCMkkQA
Tony Banks: “Margaret and I married when we were making Foxtrot [1972]. We had a one-day honeymoon because I had to finish the album. The band felt sorry for me so they paid for her to come on the next tour. In fact we often had wives and girlfriends on tour.” – from: Q&A: TONY BANKS, WRITTEN BY GENESISFAN
Suggest your Seven Stones, your seven degrees of unity between Genesis & Co. to the mail info@horizonsradio.it.
*Materiale pubblicato per diritto di cronaca e con la firma dell’autore. In caso di diversa volontà dell’autore stesso si prega di segnalarlo alla mail di Horizons Radio. Grazie.
*Materiale pubblicato per diritto di cronaca e con la firma dell’autore. In caso di diversa volontà dell’autore stesso si prega di segnalarlo alla mail di Horizons Radio. Grazie.
‘In Conversation With Tony Banks’ are the video series which sees Tony and producer/engineer Nick Davis telling the story of the making of Tony’s solo albums, as well as explaining the use of various techniques, sound effects and the equipment and instruments used via multi-track demonstrations at the studio at Fisher Lane Farm:
Tony and Nick Davis demonstrate the use of the Polymoog effect which was used on ‘From The Undertow’ from the A Curious Feeling album:
Tony talk about the pros of being able to revisit ‘A Curious Feeling’ and re-mix and enhance parts to achieve more of the sound he originally was looking for:
Tony and Nick demonstrate how the advent of a new keyboard at the time – the ARP Quadra – in conjunction with the Vocoder, allowed Tony to experiment with sound and vocal effects on the song ‘This Is Love’ from The Fugitive:
Tony explains his concerns over possible ‘identity issues’ on his solo work, and his subsequent decision to take on the duty of lead vocals on ‘The Fugitive’:
Tony talks about his experience joining forces with Toyah, Jim Diamond and Fish on the ‘Soundtracks’ album:
Tony Banks and Producer/Engineer Nick Davis dissect the multi-tracks for ‘Redwing’ in order to demonstrate the use of the Emulator in conjunction with a wine glass to produce a wind-instrument like sound sample on ‘Redwing’ – plus how the Synclavier produced the particular synth sound on this track:
Onto ‘Bankstatement’ now, and Tony explains how he made use of samples on the track ‘Big Man’, and how an Emulator sample can be used to replicate the sound of a picking guitar in the absence of a guitarist:
Tony explains how he came to work with Nick Davis, how Nick often stopped him from going ‘a chord too far’, and how they engineered an artificial brass band sound on ‘The Final Curtain’ from the Still album:
Tony recounts how he approached Nik Kershaw for vocal duties on ‘Still’ as well as Nik’s then drummer on ‘The Works’ album Vinnie Colaiuta, plus getting Fish involved once again amongst other vocalists:
Tony and Nick demonstrate how Tony used the ‘dotted quaver rhythm’ effect on the single ‘Only Seventeen’ from the Strictly. Inc album to create a ‘scampering’ sound:
The use of the piano was a very important part of the template of ‘An Island In The Darkness’, forming the backbone of the orchestration of the piece. Here, Tony & Nick demonstrate how this provided the undercurrent to the 17-minute-long piece:
Tony recounts a time working on the Quicksilver soundtrack when one US film director didn’t particularly ‘get’ the sound he was going for, and discusses how ‘The Wicked Lady’ album came about:
Producer & Engineer Nick Davis explains how he approaches re-mixing a piece of music which people are already familiar with in today’s clip from The Farm:
The box contains seven CDs and a DVD; the seven CDs are the rock albums made by Tony in his career:
– A Curious Feeling
– The Wicked Lady
– The Fugitive
– Soundtracks
– Bankstatement
– Still
– Strictly Inc
HR Press Review – Tony Banks opens the Banks Vaults:
The dvd contains all the Tony’s videoclips, officially published here for the first time:
– For A While
– The Waters Of Lethe
– This Is Love
– Shortcut To Somewhere
– Throwback
– I Wanna Change The Score
– The Gift
– Only Seventeen
The records have been remastered in the legendary Abbey Road studios by Miles Showell and Nick Davis.